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Diary

1st – Rutter ‘Psalmfest’ and Dvorak ‘Mass in D’, Tring Choral Society, St Peter and St Paul, Tring

2nd – ‘Handel and “The African”‘, Fiori Musicali, Christchurch Highbury

7th – Purcell Odes, Gabrieli Consort, Basilisque Notre Dame de Beaune

9th – Purcell ‘King Arthur’, Gabrieli Consort, Ménerbes City Hall Square

29th and 30th – ‘Bach’s Horns’, Solomon’s Knot, Arnstadt

11th – ‘Bach, Purcell and Clérembault, Camerata Kilkenny

 

12th – ‘Bach, Purcell and Couperin’, Camerata Kilkenny

6th – Bach ‘St John Passion’, Solomon’s Knot, Arnstadt

 

10th – ‘Music to Her Majesty’, Spiritato

7th – Rosenberg, ‘Highland Home’, Hertfordshire Chorus, St Alban’s Cathedral

 

20th – ‘Buxtehude and Monteverdi’, Dunedin Consort, Wigmore Hall

18th – Mozart ‘Requiem’, Hadleigh Choral Society

2nd – Handel ‘Messiah’, East Grinstead Choral Society

 

7th – Bach ‘Magnificat’, Solomon’s Knot, Wigmore Hall

 

21st – Bach BWV 151 and Mozart ‘, Noord Nederlands Orkest, Assen

 

22nd Bach BWV 151 and Mozart ‘, Noord Nederlands Orkest, Drachten

 

23rd Bach BWV 151 and Mozart ‘, Noord Nederlands Orkest, Groningen

  • “Zoë Brown and the orchestra’s leader Kati Debretzeni limned Bach’s lines with limpid tenderness. For a moment, time seemed to stop.”

    Ivan Hewett, The Telegraph.

  • “…the sense of great – almost erotic – rapture is beautifully created by Zoë Brookshaw… in a performance of shimmering intensity”

    Gramophone Magazine

  • "Zoë Brookshaw's pealing soprano spread delight dancing with two pastoral flutes"

    The Times (on Solomon's Knot's St John Passion)

  • “[Brookshaw's] innocent, gently glowing soprano shone"

    The Guardian

  • "Katherine Watson and Zoë Brown intertwined beautifully in the elegiac duet, Ohime, dov'e il mio ben, from Book 7 of the Madrigals, its bitter melancholy eked out in the sweetest, freshest way."

    The Times (on Arcangelo Monteverdi Madrigals at Wigmore Hall)