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Diary

18th – Bach ‘B Minor Mass’, Feinstein Ensemble, King’s Place, 7:30pm

Cancelled due to Coronavirus

 

22nd- Vivaldi  ‘Venezianische Vespermusik’, Kammerchor und Barockorchester Stuttgart, Frieder Bernius, Leonhardskirche, Stuttgart, 8pm

Cancelled due to Coronavirus

 

23rd – Vivaldi  ‘Venezianische Vespermusik’, Kammerchor und Barockorchester Stuttgart, Frieder Bernius, Leonhardskirche, Stuttgart, 8pm

Cancelled due to Coronavirus

6th – Bach BWV 26, 91, 115, 116, Gli Angeli de Geneve, Temple de Saint Gervais, Geneva, 8pm

Cancelled due to Coronavirus

 

 

15th – Bach ‘Not the Christmas Oratorio’ BWV 213, 214, 215, Solomon’s Knot, Newbury Spring Festival, 7:30pm

Cancelled due to Coronavirus

 

 

17th – Bach ‘Not the Christmas Oratorio’ BWV 213, 214, 215, Solomon’s Knot, Wigmore Hall, 7:30pm

Cancelled due to Coronavirus

 

 

30th –  Bach ‘Not the Christmas Oratorio’ BWV 213, 214, 215, Solomon’s Knot, Dreieinigkeitskirche, Regensburg, Germany 7:30pm

18  –  Bach ‘Not the Christmas Oratorio’ BWV 213, 214, 215, Solomon’s Knot, Musikfest Stuttgart, Stiftskirche, Stuttgart, Germany, 1pm

 

25th – Rameau ‘Pygmalion’, (La statue animée) Dunedin Consort, Christ Church, Spitalfields, 7pm

Cancelled due to Coronavirus

23rd – Handel ‘Messiah’, Murten Classics Festival,  Switzerland

8th – “Trials and Tribulations”, Lute song recital, Chapel of St Peter ad Vincula, Tower of London

Cancelled due to Coronavirus

 

15th – Bach ‘B Minor Mass’, Gli Angeli de Geneve, Geneva

 

20th – Handel ‘Solomon’, OAE, Royal Festival Hall, 7pm

 

26th – ‘Purcell Pageant’, Solomon’s Knot, Hamburg

2nd – Bach BWV 4, 68, 121, 133, Gli Angeli de Geneve, GenevaD

 

11th – Duet Recital, Preston

 

21st – Derby Bach Choir

  • “Zoë Brown and the orchestra’s leader Kati Debretzeni limned Bach’s lines with limpid tenderness. For a moment, time seemed to stop.”

    Ivan Hewett, The Telegraph.

  • “…the sense of great – almost erotic – rapture is beautifully created by Zoë Brookshaw… in a performance of shimmering intensity”

    Gramophone Magazine

  • "Zoë Brookshaw's pealing soprano spread delight dancing with two pastoral flutes"

    The Times (on Solomon's Knot's St John Passion)

  • “[Brookshaw's] innocent, gently glowing soprano shone"

    The Guardian

  • "Katherine Watson and Zoë Brown intertwined beautifully in the elegiac duet, Ohime, dov'e il mio ben, from Book 7 of the Madrigals, its bitter melancholy eked out in the sweetest, freshest way."

    The Times (on Arcangelo Monteverdi Madrigals at Wigmore Hall)